Field, et al say that L.A. Rebellion filmmakers were countercinema practitioners breaking from the formal hegemony of classical Hollywood cinema[they] sought a storytelling form that would be more authentic to their subject * 

Choose one of the films viewed in class (Rich, Shipley Street, Your Children Come Back to You) and in 250 to 300 words address how the filmmaker broke from the formal hegemony of classical Hollywood cinema. 

*Field, Allyson Nadia, et al. Introduction: Emancipating the ImageThe L.A. Rebellion of Black Filmmakers. P. 28. 

5 points